- gorrilaz




gorilaz

gorilaz

- gorrilaz

Here is an article on gorilaz.

Virtual band

Okay, drawing off the previous two peer reviews (found here and here) plus the FAC nomination (found here), along with the article itself, I have been gorillaz able to deduce the following problems:

  1. The article is too short for feature article
  2. More in-article information may be needed on:
    • The Archies
    • Gorillaz -- especially along the lines of how they came to be
    • Crazy Frog
  3. The extent gorrilaz of the 'animated' qualifier for a virtual band -- should it include puppetry?
  4. A breakdown of the dynamics behind a virtual band gorilas is extremely necessary
  5. Language issues must be attended to
  6. Required images -- I've done a little along this line, but should there be more?
  7. The Net-based virtual band (final paragraph of the intro before History now in gorila a separate section) -- this seems, to me, to distract from the point of the actual article (the animated virtual gorllaz band); should it be moved into a separate article?
  8. Some issues concerning article content, these two being the standout ones:
    • Did the Archies 'open the door' for other virtual bands?
    • The opening statement needs to be gorilazz reworked as well
  9. Plus some extra sources required -- The Gorilaz's Takedown DVD is a great place to start, if anyone has it

Granted, this is more a request for contribution, but if anyone has any more problems with gorliaz the article, then please say so here. --JB Adder | Talk 20:53, 2 January 2006 (UTC)

  • Hi; response to your garilaz request on my talk page.
    • I'm not enamoured of the idea of footnotes other than for goriilaz sources; if it's important put it inline or in a separate article. If it isn't get rid of it. In this case, the person's name should be inline and the place grilaz where it was said as a source, I think.
    • I reformatted the references to use templates. This is much easier to type and cope with. If you don't like the particular system I chose, there are others.
    • Please cover economic gorlaz aspects; who profits; how do costs differ from normal bands? I've heard that gorilza most bands make their money in concert. How does this affect virtual bands?
    • something about the (presumably session?) musicians behind the bands?
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